Why I No Longer Want to Use the Word “Griot”

Elderly West African oral historian holding a traditional kora instrument, with the caption “Griot? Is that what he is really called in his language?”

For decades, outsiders have lumped Africa’s jeliw, gewel, onye akwa, and countless other culture keepers under one imported label—“griot.” The word traces to Portuguese criado (“servant”) and 18th-century French colonial records, yet it still dominates textbooks and music syllabi across the continent. When we swap living, indigenous names for a foreign catch-all, we flatten rich, distinct roles—praise-singer, historian, drummer, spiritual adviser—into a single colonial shorthand. True decolonization starts with language: retiring “griot” and restoring the authentic terms rooted in each community’s tongue.

Highlife Music Showdown:

Ghana vs Nigeria – The Controversial History of West Africa’s Legendary Genre 🎶 Ghana or Nigeria? The Highlife music battle goes beyond what you think! 🇬🇭🇳🇬 From its roots in “Palm-Wine” music from Liberia, Highlife has evolved into one of West Africa’s most iconic genres. But who really owns the sound? In this video,I dive deep into […]

Not Funny, Lord: Trusting Through Trials

Alt Text for the Image: "An ultra-realistic cover image for a blog post titled 'Not Funny, Lord: Trusting Through Trials.' The image features a quiet, introspective scene in a church. A person is kneeling in prayer at the altar, with stained glass windows casting colorful light around. In the background, there is a cross and an open Bible on the altar. The face of God appears in the light streaming through the stained glass, with a neutral skin tone that is not black or white, giving the impression that the individual is addressing God directly. The overall atmosphere is serene and contemplative, with warm and soothing colors evoking a sense of peace and reflection."

Discover how faith can guide us through life’s toughest trials in our latest blog post, “Not Funny, Lord: Trusting Through Trials.” Explore personal stories of resilience, the biblical tale of Job, and the unshakeable trust that sustains us during hardships. Learn how to find strength and purpose through unwavering faith. Join us as we delve into the profound lessons of suffering, trust, and divine humor.

Black And Afraid (I Just Want To Live)

"Black and Afraid: The Struggle, The Strength, The Survival - Dive into Anderson Isiagu's latest single, where every note is a cry for freedom, a call to action, and every lyric echoes the resilience of the human spirit."

Gratitude fills my heart for your willingness to engage with my music and for the steadfast support you’ve shown. I warmly encourage you to immerse yourself in the melodies and messages of this song, to ponder its themes, and to extend its reach by sharing it with those dear to you. Let’s spread the word, inspire reflection, and foster a community of listeners who are moved not just by sound, but by the profound messages we navigate together.

Maximizing Your Vocal Potential: A Succinct Guide to Selecting a Vocal Coach and Honing Your Craft

A vocal coaching session in a well-lit studio with a Black male coach instructing a multicultural group of students, featuring a white female in her 20s singing, an Asian male in his 30s taking notes, and a Middle-Eastern female in her 40s doing vocal exercises, with a grand piano and hydration station in the background, embodying an atmosphere of learning and vocal care.

Vocal coaching is an important factor in taking the voice from a raw, undeveloped form into a seasoned and technically sound shape. The coach is familiar with all shades of vocal faults as well as appropriate diagnosis and exercises for solving them. The expertise of a coach is needed in detecting bad vocal habits that are disguised as good singing but in the long run tend to lead to over exertion or premature careers. The importance of a good coach cannot be overemphasized, which underscores the need to research extensively and carefully when choosing one.

OFFERTORY IN MEDIEVAL TIMES AND THEIR PARALLEL TO MUSIC IN AFRICAN TRADITIONAL WORSHIP

When we observe our lives and the activities we engage in from day to day, we are able to gather quickly the things that are important and indispensable for a satisfactory and rich experience. Since the time of antiquity to present day modernism, music has continuously remained an important part of our existence and the shared experiences that unite people. Great writers and thinkers such as Aristotle, Chalcidius, Guido of Arezzo, Boethius and Augustine have written extensively about music and over time, music has continued to garner mor and more attention to this day.

Concert for Unity with The Yuval Ron Ensemble: A Review

The California Lutheran University hosts an artist and speakers series regularly. One of them is the concert for unity which held at 7PM of Tuesday October 15th, 2019. This installment of the series featured the Yuval Ron Ensemble, a group dedicated to the performance of music from the Middle East, irrespective of their religious affiliations.

THE ROLE OF MUSIC IN SUFI WHIRLING: TRANSCENDENTAL ATTRIBUTES OF THE MEDLEY, “SUFI,” BY THE YUVAL RON ENSEMBLE

Important musical inquiries intended to create a better understanding of a people’s culture, in any part of the world, is often approached from a variety of perspectives. Of utmost importance is the relationship between music and religion. Evidence from academic studies show proof of the interconnectedness and complementarity of both. It is a common occurrence to find music performed as a very important part of religious gatherings. Many ceremonies cannot take place without music. As we would see in the course of this paper, music has become an important tool in the attainment of an altered state of consciousness that characterizes a dhikr, or Sufi ceremony of remembrance. The interaction of music and the Whirling Dervish would be the focus of this inquiry.