Discography

Projects

Notable Works

Anderson's works consists of different compositions, both vocal and instrumental, arrangements, and a gospel album.

Cry No More (2006)

“Cry No More” by Anderson Isiagu was a gospel album with an eclectic mix of Nigerian Afro-beats, Afro-soul, hip hop, rap, and gospel.

Not Far Away (2012)

An original operatic work that blends African vocal and instrumental techniques with western orchestral instruments. “Not Far Away” delves into the quest for greener pastures in order lands and the dangers that come with it. 

Song of the Weary Optimist (2017)

A work that explores the composers tenacity, humanity, and determination through hard times. The multiple divisi in each part calls for an expanded string quartet.

The Highlife (2016)

“The Highlife” is an original composition in the jazz style for Big band. It uses elements of the West African Afro genre, of the same name, such as walking bass lines, tight horn section harmonies, and a rhythm section characterized by rich African grooves. 

Odogwu N'agha (2016)

“Odogwu N’agha” is a composition for a string quartet based on an Igbo sacred/folk song melody. It was composed in 2016 and premiered at the Azusa Pacific University on November, 05, 2017.

Gozie Onyenwem Mkpuruobi M (2014)

“Gozie Onyenwem Mkpuruobi M” is a Choral art song in Igbo for SATB choir. Translated, it means “Bless, Oh Lord, My Soul.”

FAQ

General Questions

Do you have a question about Anderson's musical process, about music theory or composition in general? Feel free to get in touch through the contact page. Here are some thoughts.

I do not believe in "Favorites," however, if I could pick one, it would be "Song of the Weary Optimist" and the song I wrote when I met my wife, Julia, "Too Good To Be True." Next to it would Be "I Never Want To Say Goodbye."